朱利安·格拉克（Julien Gracq,1910-2007） 法国当代著名小说家、诗人、剧作家和评论家。1910年生于法国曼恩-卢瓦尔省。1938年走上文学创作之路。主要作品有小说《阿尔戈古堡》《林中阳台》《流沙海岸》《阴郁的美男子》，散文诗集《巨大的自由》，随笔集《首字花饰》等。 格拉克的小说受到夏多布里昂、奈瓦尔、诺瓦利斯和歌德等浪漫主义作家的影响，同时吸取超现实主义代表人物布勒东的意识的无指向性和瞬间变幻的迷离飘忽的现代艺术风格，形成了格拉克小说感情充沛、意境飘渺，寓意深远的独特品格。强烈的散文化和诗化的小说风格，让他在法国当代文学史上有着“诗情小说家”的美誉。

A biologist reveals the secret world hidden in a single square meter of forest. In this wholly original book, biologist David Haskell uses a one- square-meter patch of old-growth Tennessee forest as a window onto the entire natural world. Visiting it almost daily for one year to trace nature's path through the seasons, he brings the forest and its inhabitants to vivid life. ...(展开全部)

A 2013 Pulitzer Prize Finalist for General Nonfiction Winner of the 2013 Best Book Award from the National Academies A Finalist for the PEN/E.O. Wilson Literary Science Writing Award Winner of the National Outdoor Book Award Winner of the Reed Award from the Southern Environmental Law Center A biologist reveals the secret world hidden in a single square meter of forest Written...(展开全部)

A biologist reveals the secret world hidden in a single square meter of forest. In this wholly original book, biologist David Haskell uses a one- square-meter patch of old-growth Tennessee forest as a window onto the entire natural world. Visiting it almost daily for one year to trace nature's path through the seasons, he brings the forest and its inhabitants to vivid life. ...(展开全部)

作者罗伯特・s •拉什：从军47年，文武双全的北约老兵，打过60迫击炮，开过装甲悍马车，研究过二战部队史。拥有哲学和军事史、欧洲史、商业史博士学位，文学硕士学位。 历任迫击炮班班长，重武器排军士长，师级、军级、军种级历史学家，欧洲-大西洋冲突研究工作组主任。著有《二战中的美国步兵》《应募入伍士兵指导手册》《士官指导手册》《军事写作实用指南》等作品。 译者董旻杰：网名本垒打，军事作家、职业出版人，曾任多本知名军事刊物的主编。著有《二战苏德军服》、《东线：第三帝国的黑洞》、《沸腾的雪：阿登反击战》、《血色夜空：二战英德夜间空战实录》、《装甲英豪：二战德军装甲兵上将温克和他的部队》。译有《1945年的六个月：从盟友到对抗》、《1944阿登战役：希特勒的后反攻》

朱利安·格拉克（Julien Gracq,1910-2007） 法国当代著名小说家、诗人、剧作家和评论家。1910年生于法国曼恩-卢瓦尔省。1938年走上文学创作之路。主要作品有小说《阿尔戈古堡》《林中阳台》《流沙海岸》《阴郁的美男子》，散文诗集《巨大的自由》，随笔集《首字花饰》等。 格拉克的小说受到夏多布里昂、奈瓦尔、诺瓦利斯和歌德等浪漫主义作家的影响，同时吸取超现实主义代表人物布勒东的意识的无指向性和瞬间变幻的迷离飘忽的现代艺术风格，形成了格拉克小说感情充沛、意境飘渺，寓意深远的独特品格。强烈的散文化和诗化的小说风格，让他在法国当代文学史上有着“诗情小说家”的美誉。

Jules Epstein, a man whose drive, avidity, and outsized personality have, for sixty-eight years, been a force to be reckoned with, is undergoing a metamorphosis. In the wake of his parents’ deaths, his divorce from his wife of more than thirty years, and his retirement from the New York legal firm where he was a partner, he’s felt an irresistible need to give away his possessio...(展开全部)

For fans of The Farewell, this graceful and indelible debut about love, grief, and family welcomes you into its pages and invites you to linger, staying with you long after you've closed its covers. How do you grieve, if your family doesn’t talk about feelings? This is the question the unnamed protagonist of Ghost Forest considers after her father dies. One of the many Hong Kon...(展开全部)

Exploring beyond the usual boundaries of social anthropology, a leader in the field shows why our readings of ancient literary texts may be off the mark Many famous antique texts are misunderstood and many others have been completely dismissed, all because the literary style in which they were written is unfamiliar today. So argues Mary Douglas in this controversial study of ri...(展开全部)

Liu Yuan's "Lingyan ge", a woodblock-printed book from 1669, re-creates a portrait gallery that memorialized 24 vassals of the early Tang court. Liu accompanied each figure, presented under the guise of a bandit, with a couplet; the poems, written in various scripts, are surrounded by marginal images that allude to a contemporary novel. Religious icons supplement the portrait g...(展开全部)